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Yara Sili Sili

Sargam-yara sili sili

Sargam notations for the song: Yara Sili Sili

Lyricist : Gulzar,
Singer : Lata Mangeshkar
Music Director : Hridaynath Mangeshkar
Movie : Lekin (1990)
Raag : Megh Malhar

Flute used for notations : C Middle

One of the best songs of Lata Mangeshkar, this one’s composition is at a different level. A wonderful song to play on flute. I used all Shuddh swars, except for the concluding Taan where Komal Re (r) has been used.  Prelude and interlude parts (on Sarangi and Violin) will be updated soon.

STHAYI:

yaaraa | siilI | siilI |
G R | S R | G G

birahaa | kii |
GG M | G

raata | kaa | jalanaa |
D P G | R | RR {GMP}…MG

yaaraa | sIlI | sIlI, |
G RG | S R | G G

yaaraa | sIlI | sIlI |
,D S | GMG | R R

o | yaaraa | siilI | siilI, |
P | G RG | S R | G G

Dolaa | siilI | siilI |
PD D(N)D~P | G R | RR…

yaaraa | siilI | siilI |
G R | S R | G G

birahaa | kii |
GG M | G

raata | kaa | jalanaa |
D P G | R | R R…

ye | bhii | koii |
(S’)R’ | R’ | R’R’…~S’ |

jiinaa | hai.n, |
S’R’G’ S’R’…{S’NDP}…{P’DNS’R’} | R’

ye | bhii | koii | jiinaa | hai.n |
S’R’G’ S’R’…{S’NDP}…{P’DNS’R’} | R’

ye | bhii | koii | maranaa |
P | D | R’ S’ | DP PGP

yaaraa | siilI | siilI |
G R | S R | G G

birahaa | kii |
GG M | G

raata | kaa | jalanaa |
D P G | R | R R…

o | yaaraa | siilI | siilI, |
P | G RG | S R | G G

Dolaa | siilI | siilI |
,D S | GG R | RR…

ANTARA:1

Tuti | hui | chudiyon | se |
SR | GG | GG M | G

jodun | ye | kalaai | main |
D P | G | RR R | R~S

Pichhali | gali | men | jaane |
S R G | GG | G | M G

kya | chhod | ai | main |
D~P | GR | R R | R…

Biti | hui |
(S’)R’ | R’ | R’R’…~S’ |

galiyon | se |
S’R’G’ S’R’…{S’NDP}…{P’DNS’R’} | R’

fir | se | gujarana |
R’ S’ | DP | D~P PG GP

yaaraa | siilI | siilI |
G R | S R | G G

Dolaa | siilI | siilI |
S R | GG R | RR…

o | yaaraa | siilI | siilI, |
P | G RG | S R | G G

birahaa | kii |
GG M | G

raata | kaa | jalanaa |
D P G | R | R R…

o | yaaraa | siilI | siilI, |
P | G RG | S R | G G

Dolaa | siilI | siilI |
,D S | GG R | RR…

ANTARA : 2
(Repeat notes of 1st Antara)

Pairon | men | na | saaya | koi
sar | pe | na | saain | re |
Mere | saath | jaae | na |
meri | parachhaai | re |
Baahar | ujaada | hai |
andar | wiraana |

(TAAN)

yaaraa…, |
PD DR’ S’….~D

Dolaa…, |
DR’ r…

yaaraa…, |
r’R’ R’….

DolA… |
r’R’ R'(G’)R’…S’~D

yaaraa…, |
PD D(N)D..PG

Dolaa…
RG G(M)G… RS R…

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How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Pure Notes)
  • small letters = Komal Swars (Flat Notes)
  • A Note with # [hash] = Tivra Swar 
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” or “khatka” which have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “Meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
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