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Raag Shivranjani

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Raag-Shivranjani

Following is the very basic information on Raag Shivranjani.  For more information, you may like to explore more on the internet like wikipedia where more information on Raag Shivranjani is given in detail.

Thaat : Kafi

Rass (Nature) : Virah Rass (Sad)

Jaati : Audav – Audav

Vikrit Swar : Komal Gandhar (g)

Varjit Swar : Madhyam (M) and Nishad (N)

Aroh (5 notes) : S R g P D S’ 

Avroh (5 notes) : S’ D P g R S

Vaadi Swar : P (Pancham)

Samvaadi Swar : S (Shadaj)

Pakad : R g P | D P g R | g S R D S

Time for playing : Late evening till Midnight

Songs based on : Raag Shivranjani

DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Shivranjani may not necessarily follow every rule of this Raag.  Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.

Same is the case while jotting down the notations of songs.  Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.

  1. Awaz deke hame tum bulao
  2. Baharo phool barsao
  3. Dil ke jharoke me tujhko bitha kar
  4. Hero theme tune
  5. Jane kaha gaye wo din
  6. Kahee deep jale kahee dil
  7. Mere naina sawan bhado
  8. O mere sanam
  9. Rimjhim ke geet sawan gaye
  10. Tere mere beech me

 

Following are the Sargam notations of songs based on Raag Shivranjani, available on this site: 

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How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Pure Notes)
  • small letters = Komal Swars (Flat Notes)
  • A Note with # [hash] = Tivra Swar 
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” or “khatka” which have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “Meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
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