Raag Bhupali

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Raag_Bhupali

Following is the very basic information on Raag Bhupali, also known as Bhoop, Bhopali, or Bhoopali.  

For more information, you may like to explore more on the internet like Tanarang.com where more details on Raag Bhupali is given.

Thaat : Kalyan

Rass (Nature) : Bhakti Rass (Devotional)

Jaati : Audav – Audav

Vikrit Swar : None

Varjit Swar : Madhyam (M) and Nishad (N)

Aroh (5 notes) : S R G P D S’ 

Avroh (5 notes) : S’ D P G R S

Vaadi Swar : G (Shuddh Gandhar)

Samvaadi Swar : D (Shuddh Dhaiwat)

Pakad : G R G | P G | D P | S’ D P G | P G R G | G R S

Time for playing : Evening ( 6 – 9 pm)

Songs based on : Raag Bhupali

DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Bhuplai may not necessarily follow every rule of this Raag.  Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.

Same is the case while jotting down the notations of songs.  Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.

  1. Chanda hai tu mera suraj hai tu
  2. Dekha ek khwab to ye
  3. Dil hoom hoom kare
  4. Gata rahe mera dil
  5. Hum tumse na kucch keh paye
  6. In ankhon ki masti ke
  7. Jyoti Kalash Chhalke
  8. Kanchi re kanchi re
  9. Pankh hote to ud ati re
  10. Sayonara Sayonara
  11. Tujhe dekh dekh sona
  12.  Zindagi dene wale sun

 

Sargam notations of following songs based on Raag Bhupali are available on this site: 

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How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Pure Notes)
  • small letters = Komal Swars (Flat Notes)
  • A Note with # [hash] = Tivra Swar 
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” or “khatka” which have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “Meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
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