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Puchho na kaise maine rain bitai

Sargam (Notation) for song: Puchho na kaise maine rain bitai
Singer : Manna De
Music : S D Burman
Lyrics : Shailendra
Film : Meri Surat Teri Ankhen (1963)

Puchho | na | kaise | maine | rain | bitai
SS’D | D | D(N)D | PM | M~G | Mr~S

Ik | pal | jaise, | ik | jug | beeta
rS | .D.n | rS | Sr | MM | M~M(PMGr)

Ik pal jaise, ik jug beeta
rS | .D.n | rS | Sr | MM | M~M

Jug | beete | mohe | neend | na | aayi
MD | DDNS’ | nD | MG | M | rS

Puchho | na | kaise | maine | rain | bitai
SS’D | D | D(N)D | PM | M~G | Mr~S

Ut | jale | deepak | it | man | mera
MM | MM | D—PM | PD | n’S’ | r’S’

Phir | bhi | na | jaye | mere | ghar | ka | andhera
r’r’ | r’ | r’ | r’ r’ | r’r’ | S’r’ | M | GrS

Ut | jale | deepak | it | man | mera
MM | MM | D—PM | PD | n’S’ | r’S’

man….. mera….. mera …..
MM— (to improvise)

Ut | jale | deepak | it | man | mera
MM | MM | D—PM | PD | n’S’ | r’S’

Phir | bhi | na | jaye | mere | ghar | ka | andhera
r’r’ | r’ | r’ | r’ r’ | r’r’ | S’r’ | M | GrS

Tadpat tarsat umar gawayi
Srnn | nSn(P)n | PMG | MrS

Puchho na kaise maine rain bitai
https://youtu.be/TUuxvHDD9as

4 Responses

  1. I am privileged to find this notation of yours. Song is one of the greatest from Mannade with equally good lyrics. Regards. I am MLN Shenoy retired . Obliged, if you can tutor the song “ Tum Gagan ke Chandrama ho “ from film Sati Savitri. I searched notes for this song but no where I found. A great lyrical song my favourite one. Waiting. E mail. [email protected].

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Useful Resources
How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Flat Notes)
  • small letters = Komal Swars (Low Notes)
  • A Note with # [hash] = Tivra Swar (High Note)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kaan swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.