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Hum honge kamyab

hum honge kamyab

Hum | Honge | kamyab
GM | PP | P~DD P MG

Hum | honge | kamyab
GM | PP | P~DD P MG

Hum | Honge | kamyab
GM | PP | D N S

ek | din
S’~R’S’ | N…D~NDP

Ho ho | man | me | hai | viswas
D N | S’ | S’ | N | D P

pura | hai | viswas
D D | P | M G

hum | honge | kamyab | ekdin
GM | PP | S MG | RR S

One Response

  1. Sir, you are doing wonderful job to make divine Bansuri more popular amongst Bhartiyas and others.

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Useful Resources
How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Flat Notes)
  • small letters = Komal Swars (Low Notes)
  • A Note with # [hash] = Tivra Swar (High Note)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kaan swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.