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Hridoy amar nache re ajke

Sargam notation for Rabindra Sangeet Hridoy aamar nache re.

Hridoy | aamar | nache re | aajike
S’ N | D P | MD P | MM G

mayurer | moto | nache | re
S R G M | P D | NN | S’

Naache | re
S’~G’R’S’N DP MP GR | S

Soto | boroner | bhab | ucchhas
P P | PPP P | P P | M D~P

Kalaaper | moto | korechhe | bikas,
S R G M | P D | S’ R’ R’~G’ | G’G’

Aakul | poran | aakashe | chahia
G’G’G’ | R’ R’~G’ | G’R’ R’~G’R’ | R’S’ S’

ullashe | kare | jache | re
(S)G’ R’ S’ | N D | P M | G…

Hridoy aamar nache re. …

Ogo, | nirjone | bakulsakhay
PP | P PP | M P D P(M)G

dolaay | ke aaji | dulichhe,
G~NN | DD P | MM G

dodul dulichhe | dodul dulichhe dodul dulichhe
G~NN DD P | M DP MM G | G GM GR S

Jhoroke | jhoroke | jhorichhe | bokul,
G’G’G’ | G’G’G’ | G’R’ N~R’ | S N D

Aanchol | aakashe | hotechhe | aakul,
S’ S’ S’ | S’ S’ S ‘ | S’ S’ N~R’ | R’~S’ S’

Uria | olok | dhhakichhe | polok;
G’G’G’ | G’G’G’ | G’R’G’ P” | P”G’ G’

kobori | khoshia | khulichhe
G’G’ R | S N D | P M G…~N~S

Hridoy aamar nache re. …

Ogo, | nirjone | bakulsakhay
PP | P PP | M P D P(M)G

dolaay | ke aaji | dulichhe,
G~NN | DD P | MM G

dodul dulichhe | dodul dulichhe dodul dulichhe
G~NN DD P | M DP MM G | G GM GR S

Jhare | ghanodhara | nabopallobe,
S’ S’ | S’ S’ S’ S ‘ | S’ S’ N~R’ R’~S’ S’

Kanpichhe | kanon | jhillir | robe
PDN NDP | PDN NDP | M D P M | (G)M~G

Tir | chhapi | nodi | kolokollole | kolokollole
G’ | G’G’ | G’G’ | G’R’ N~R’ R~S | S’ N D~S’ S’N

elo | pallir | kachhe | re. …
P D | N NN | DD | P….~S

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Useful Resources
How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Flat Notes)
  • small letters = Komal Swars (Low Notes)
  • A Note with # [hash] = Tivra Swar (High Note)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kaan swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.