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Har kisi ko nahi milta (Do Lafz ki hai)

Sargam (notations) for song har kisi ko nahi milta
Film: Boss
Singers: Nikhil D’Souza | Arijit Singh, Neeti Mohan
Music: Chirantan Bhatt
Lyrics: Manoj Yadav

 

Do | lafz | ki hai
R | GR | (G)M(G)Mbaat | ek | hi hai
M | GR | R .D.N

Kyon | darmiyan | fir | ruki | ruki
.N | R G G | RGRS | S G | S R GM

Kah | bhi na | paayen,
R | G R | D GM

rah | bhi na | paayen
M | G R | R .D.N

Kyon | be-wajah | hai | ye bebasi
.N | R G G | RGRS | S | G S R GM

Tum | me | hum | hain
D | D | D | M

hum | me | tum | ho
D | D | D | M

Tumse | hum | hain,
D D D ~| P | P

humse | tum | ho
P M | G~R | R

Qismato | se | milte | hai | do
R G G~M | G~R | R G | G~M | G~R

dil | yahan
R~.D | .D RG RG

Har | kisiko | nahi milta
R | R R GM | G R | R RG

Yahaan pyaar zindagi me x (2)
S S | Rg | gM RR | R

Khushnasib | hai | hum
M P D | D | D

jinko | hai | milee
R’ N N | N | NDP

Ye bahar zindagi me
P | P Dn | nSn D | D… PD MGR

Har kisiko..oo | nahi milta..aa
R | RR GMGM | G R | R RG RS

Yahan | pyar | zindagi | me
S S | R g… | g PM R | R

Interlude:

DSRg | RS | RgM
DSRg | RS | RSnD
DSRg | RS | RgM
DSRg | R

Pyar | na ho to | zindagi | kya | hai
M P | PD D D | RRDnD | D | D

Yaar | na ho to | bandgi | kya | hai
M P | Pn nn nn~R’ | R S | nD DD…

Tujh | se hi | har | khushi hai
MG | G G | GG | G R | S

Tere | dam se | aashiqi hai | jaan le
MG | G G | G PDP G | R S | Rg R | R

Mil jayein hum to…

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Useful Resources
How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Flat Notes)
  • small letters = Komal Swars (Low Notes)
  • A Note with # [hash] = Tivra Swar (High Note)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kaan swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.