Amaro Porano Jaha Chay

Amaro Porano Jaha Chay sargam

Amaro Porano Jaha Chay Sargam Notations

Amaro | porano | jaha chay
R G R | SND | N d D

Tumi | tai, | tumi tai | go
D G | R~G | M G | R GMR G | R S NDN

Amaro | porano | jaha chay
R G R | SND | N d D

Toma | chara | ar | e | jogote
R G | G G | G | M | GR G

Mor | keho | nai
G~R | G~(P)~D | (P)~D PMG

kichu | nai | go
M G | R GMRG | R~S NDN

Amaro | porano | jaha chay
R G R | SND | N d D

Tumi | shukho | jodi | nahi | pao
GG | R G | P P | M P | D’ NDd D’

Jao | shukhero | shondhane | jao
D’ | d’ D N | N N~S’ N~D | D~P M~G

Tumi shukho jodi nahi pao
Jao shukhero shondhane jao

Ami | tomare | peyechhi | hridoyo | majhe
GG | R G G | G G G | R G GP | P d

Aro | kichu | nahi | chai | go
D’~N | D’ P | M G | R GMR G | R S NDN

Amaro porano jaha chay.

Ami | tomaro | birohe | rohibo | bilino
D D | (G)M M | MMP M~G | G~R G | GG G

Tomate | koribo | bash.
G MM | MMP MGM | R~GR~S

Dirgho | dibosho | dirgho | rojoni
S~R R | NN~D D | DN~D | N d D

Dirgho | borosho | maash.
N~R R | R G GM~R | R G

(Repeat Sargam of 1st stanza for following..)

Jodi aro kare bhalo basho
Jodi aro fire nahi aasho
Tobe tumi jaha chao tai jano pao
Aami joto dukho pai go…
Amaro porano jaha chay
Tumi tai, tumi tai go
Amaro porano jaha chay

9 thoughts on “Amaro Porano Jaha Chay”

  1. please give me the sargam for AMAR SOKOL DUKHER PRADIP, JELE DIBOS GELE KORBO NIBEDON….. by Rabindra nath tagor…. please please..

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How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Pure Notes)
  • small letters = Komal Swars (Flat Notes)
  • A Note with # [hash] = Tivra Swar 
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” or “khatka” which have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “Meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
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