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Amar Bhitoro Bahire Ontore Ontore

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Amar Bhitoro Bahire Ontore Ontore sargam

Sargam for Bengali song Amar vitoro Bahire Ontore Ontore

Singers : Suman O Sabina Yasmin
Lyrics : Rudra Mohammad Shahidullah
Album : Tero [2006]

Amar | vitoro | Bahire
S S | S G G | R R S

Ontore | Ontore
S SN | D N DP

Achho | Tumi | Hridoy | Jure..
D S | S S | S R G~R | G P M G

Amar | vitoro | Bahire
R~SN | S G G | R R S

Ontore | Ontore
S SN | D N DP

Achho | Tumi | Hridoy | Jure..
D S | S S | S R G~R | G P M G R~S R~R

Dheke | Rakhe | Jemon | Kusum
S S | S S R | R GG | R G

Paprir | Abdale | fosoler | Ghum
RR R | RR PP | G M G R | S

Temni | Tomar | nibhir | Chowa..
PP | P PM | G~R G~M | G~R G

moromer | nil | poth | dhore
R R R | R | RR | G M~G

Amar | vitoro | Bahire
R~SN | S G G | R R S

Ontore | Ontore
S SN | D N DP

Achho | Tumi | Hridoy | Jure..
D S | S S | S R G~R | G P M G R~S R~R

16 Responses

  1. What tabla taal is used. The format of the nores does not give any idea about taal . Can you please inform me about this

  2. Thank you for the help I got from your website. Please upload the new bengali song “Ora hridoyer rong chene naa” by Lagnajita from the movie “Ghore & Baire”
    Please please please.

  3. CAN YOU SEND, DADA PAYE PARI RE MELA THEKE BAU ENEDE(BENGALI FALK)
    FOR THIS MANY MANY THANKS
    SWAPAN.

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How to read SARGAM notations

  • CAPITAL LETTERS = Shuddh Swars (Pure Notes)
  • small letters = Komal Swars (Flat Notes)
  • A Note with # [hash] = Tivra Swar 
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Pitch/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Pitch/harder blow on flute
  • Notes in { } = “murki” or “khatka” which have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes = “Meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
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